Laëtitia Badaut Haussmann
Scenius II S n°2 (Blanc Papyrus), 2018
Metal, glass, pmma, led, paint
60 x 45 x 5 cm
Production Fabre
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Lucy Jordan, Galerie Allen, Paris, FR, 2020
Stage Circle Marble, 2020
Wood, paint, metal, carpet
Sculpture: 50 x 136 x 80 cm Carpet: variable dimensions
Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Lucy Jordan, Galerie Allen, Paris, FR, 2020
Maquette (Safe), 2020
Polystyrene, tadelakt, aluminium, stainless steel
80 x 80 x 40 cm
Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Lucy Jordan, Galerie Allen, Paris, FR, 2020
Magnetic scan 1, 2020
Pigment print, frame
45 x 24,5 cm
Frame: 58 x 43 cm
Photo: Aurélien Mole
Courtesy of the artist and Galerie Allen, Paris
Exhibition view, Lucy Jordan, Galerie Allen, Paris, FR, 2020
2MOON, 2020
Medium, leather, brass, paint, plexiglass, tadelakt, paper
120 x 200 x 1,6 cm
Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Lucy Jordan, Galerie Allen, Paris, FR, 2020
Ticket Booth, 2020
Wood, marble, paint, fabric
Dimensions variable
Photo: Stephen Takacs
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Water, Instance No. 1. Cur. Jo-ey Tang, Beeler Gallery, Columbus, Ohio, USA, 2020
Häggeby White, 2020
Agglomerate wood, metal
Variable dimensions
Photo: Stephen Takacs
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Water, Instance No. 1, Cur. Jo-ey Tang, Beeler Gallery, Columbus, Ohio, USA, 2020
Les seins de Charlotte, 2020
Sand
Variable dimensions
Photo: Stephen Takacs
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Water, Instance No. 1. Cur. Jo-ey Tang, Beeler Gallery, Columbus, Ohio, USA, 2020
Les seins de Charlotte, 2020
Sand
Variable dimensions
Photo: Stephen Takacs
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Water, Instance No. 1. Cur. Jo-ey Tang, Beeler Gallery, Columbus, Ohio, USA, 2020
Tabouret populaire, 2016
Bamboo
Photo: Stephen Takacs
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Water, Instance No. 1. Cur. Jo-ey Tang, Beeler Gallery, Columbus, Ohio, USA, 2020
WATER - PRELUDE, 2020
Performance
Photo: JiaHao Peng
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Water, Instance No. 8. Cur. Jo-ey Tang, Beeler Gallery, Columbus, Ohio, USA, 2020
EXPOSURE, Instance n°2, 2020
Performance at Glenbrow/Gunning house
Photo: Zane A. Miller
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Water, Instance No. 2. Cur. Jo-ey Tang, Beeler Gallery, Columbus, Ohio, USA, 2020
Coeur, 2019
Chestnut wood
123 x 80 x 60 cm
Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Le sentiment, la pensée, l'intuition, Cur. Sebastian Faucon, Musée d'art contemporain de la Haute-Vienne, château de Rochechouart, FR
Sans titre, 2019
Bed, box spring, skai, plastic, newspaper clippings
Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Le sentiment, la pensée, l'intuition. Cur. Sebastian Faucon, Musée d'art contemporain de la Haute-Vienne, château de Rochechouart, FR
Les cosmétiques blanches, 2019
Synthetic envelopes, magazine clippings, brushes
117m
Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Le sentiment, la pensée, l'intuition, Cur. Sebastian Faucon, Musée d'art contemporain de la Haute-Vienne, château de Rochechouart, FR
Liquides incolores (Verres, acétone, acide chlorhydrique, alcool à brûler, ammoniaque,brandy blanc, eau, eau de vie, gin, javel, lessive de soude, mar, 2019
Glasses and water
Dimensions variable
Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Le sentiment, la pensée, l'intuition. Cur. Sebastian Faucon, Musée d'art contemporain de la Haute-Vienne, château de Rochechouart, FR
Le Salon de Francis, 2019
Installation, two round mirrors, chestnut wood, inkjet printing on blue back
Dimensions variable
Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Le sentiment, la pensée, l'intuition, Cur. Sebastian Faucon, Musée d'art contemporain de la Haute-Vienne, château de Rochechouart, FR
Exhibition view, Le sentiment, la pensée, l'intuition, 2019
Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Cur. Sebastian Faucon, Musée d'art contemporain de la Haute-Vienne, château de Rochechouart, Rochechouart, FR, 2019
Le silence, 2019
Video, velvet and polystyrene filling
variable dimensions / video: 9 mins 34 secs
Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Le sentiment, la pensée, l'intuition, Cur. Sebastian Faucon, Musée d'art contemporain de la Haute-Vienne, château de Rochechouart, FR
howwelldoyoubehave?intheflatfield_silkposter, 2017
Digital print on silkcarf
140 x 170 cm
Courtesy the artist and Galerie Allen, Paris
Exhibition view, How well do you behave? IN THE FLAT FIELD, Beeler Gallery, Columbus College of Art, USA
L'amour est plus froid que la mort n°7, 2018
PVC, plasticised metal, polystyrene beads
Dimensions variable
Organised by Jo-ey Tang, Beeler Gallery, Columbus, Ohio, USA. Courtesy the artist and Galerie Allen, Paris
Exhibition view, How well do you behave? IN THE FLAT FIELD
Scenius II S, n°2, 2018
Metal, paint, pmma, led
60 x 45 x 5 cm
Photo : Guillaume Onimus
Courtesy the artist and Galerie Allen, Paris
Exhibition view, SAS Villa Psy 2, FABRE, Cur. Alexandra Fau, Paris, FR, 2018
Il Boom, 2018
Oak
39 x 90 x 45 cm
Photo: Guillaume Onimus
Courtesy the artist and Galerie Allen, Paris
Production Fabre, Exhibition view, SAS Villa Psy 2, Cur. Alexandra Fau, Fabre, Paris, FR, 2018
Light my Lucky seconde, 2018
Performance
Credits: Hervé Veronese
Courtesy the artist and Galerie Allen, Paris
Light my Lucky seconde, 2018
Performance
Credits: Hervé Veronese
Courtesy the artist and Galerie Allen, Paris
Cur. Caroline Ferreira, Centre Pompidou, Paris, FR, 2018
Gogolplex, 2017
Resin, acrylic paint
60 cm diameter
Photo : Martin Argyroglo
Courtesy the artist and Galerie Allen, Paris
Exhibition view, La Politesse de Wassermann, Maison Louis Carré
Capitalisme chaud, 2017
Paint
Variable dimensions
Photo : Martin Argyroglo
Courtesy of the artist and Galerie Allen, Paris
Exhibition view, La Politesse de Wassermann, Maison Louis Carré
X (2), 2017
Color printing on 180 gr matt paper
Image: Variable dimensions
Photo : Martin Argyroglo
Courtesy the artist and Galerie Allen, Paris
Exhibition view : "La Politesse de Wassermann", Maison Louis Carré
Dernier été, 2017
21 x inflatable plastic balls
51 cm in diametre each
Photo : Martin Argyroglo
Courtesy the artist and Galerie Allen, Paris
Exhibition view, La Politesse de Wassermann, Maison Louis Carré
Performance in collaboration with The Community and Aalto International, 2017
Photo: Martin Argyroglo
Exhibition view, La Politesse de Wassermann, Maison Louis Carré, Bazoches-sur-Guyone, France
Exhibition view, Impossible Body, 2017
Galerie Allen, Paris, FR, 2017
Courtesy the artist and Galerie Allen, Paris
Co-produit par Lab'bel, Jardins et Collections et Galerie Allen
The Him II, 2017
Plants, sand, make-up, perfume and 4 plant pots by Aino Aalto
variable dimensions
Courtesy the artist and Galerie Allen, Paris
Co-produit par Lab'bel, Jardins et Collections et Galerie Allen
Repeat, 2017
5 colour prints on satin 180 gr paper
Image: 50 x 70 cm each
Photo : Aurélien Mole / Exhibition view, Impossible Body, Galerie Allen, Paris 2017
Courtesy the artist and Galerie Allen, Paris
Co-produit par Lab'bel et Galerie Allen
L'Amour est plus froid que la mort n° 4, 2017
Chromed inox, synthetic leather, styrofoam
66 x 380 x 210 cm
Photo : Aurélien Mole / Exhibition view : "Impossible Body", Galerie Allen, Paris
Courtesy the artist and Galerie Allen, Paris
Co-produced by FUTURA
DB 16, 2016
Plywood and ceramic tiles
400 x 105 x 270 cm
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Anthea Hamilton Reimagines Kettle's Yard, Hepworth Wakefield, Wakefield, UK
Whatkindofbirdisthis_1, 2016
Ink jet print on silk
140 x 170 cm
Courtesy the artist and Galerie Allen, Paris
Exhibition view, What Kind of Bird is This?, Levy.Delval Gallery, Brussels, BE, 2016
Aussi loin que mes yeux, 2016
Open windows, view, air, sound, light
Courtesy the artist and Galerie Allen, Paris
Exhibition view, What Kind of Bird is This?
l'Amour est plus froid que la mort #2, 2015
Steel and aluminium, velvet, foam
172 x 285 x 143 cm
Photo : Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Exhibition view, FIAC 2015, Galerie Allen, Secteur Lafayette, Grand Palais, Paris, FR, 2015
Exhibition view, FIAC 2015, Galerie Allen, Secteur Lafayette, Grand Palais, Paris, FR, 2015
Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Light my Lucky, 2015
Performance
Courtesy the artist and Galerie Allen, Paris
Fiac 2015, Grand Palais, Paris, FR, 2015
Daybed n°2_Spring. Death, 2015
MDF wood, glue, tiles, coating
278 x 100 x 23 cm
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Galerie Untilthen, Mon Horizontalité, Curated by Julie Boukobza
Daybed n°3_Bordeaux, brown, 2015
MDF wood, glue, tiles, coating, plant
245cm x 100cm x 37cm
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Galerie Until Then, Mon Horizontalité, curated By Julie Boukobza
Dear Charlotte and Maurice, 2012
Tokyo Bench by Charlotte Perriand, envelope and vinyl lettering
Production Palais de Tokyo
Courtesy the artist and Galerie Allen, Paris
