Tarek Lakhrissi

Unfinished Sentence II, 2020
30 metal spears, chains, colour filter, loud speakers. Soundtrack in collaboration with Ndayé Kouagou.
Variable dimensions
Photo: Aurélien Mole
Exhibition view, Anticorps, Palais de Tokyo, Paris, France. Courtesy the artist

Unfinished Sentence II (detail), 2020
30 metal spears, chains, colour filter, loud speakers. Soundtrack in collaboration with Ndayé Kouagou.
Variable dimensions
Photo: Aurélien Mole.
Exhibition view, Anticorps, Palais de Tokyo, Paris, France. Courtesy the artist

BEAST!, 2022
Performance
Photo: Hervé Veronese. Exhibition view, Festival Move, Centre Pompidou, Paris, France
Courtesy the artist. Production: Tinguely Museum, Basel / Centre Pompidou, Paris / HKW, Berlin.

BEAST!, 2022
Performance
Photo: Carla Schleiffer. Exhibition view, Bang Bang, Tinguely Museum, Basel, Switzerland
Courtesy the artist. Production: Tinguely Museum, Basel / Centre Pompidou, Paris / HKW, Berlin.

BEAST!, 2022
Performance
Photo: Hervé Veronese. Exhibition view, Festival Move, Centre Pompidou, Paris, France
Courtesy the artist. Production: Tinguely Museum, Basel / Centre Pompidou, Paris / HKW, Berlin.

BEAST!, 2022
Performance
Photo: Carla Schleiffer. Exhibition view HKW, Berlin, Germany
Courtesy the artist. Production: Tinguely Museum, Basel / Centre Pompidou, Paris / HKW, Berlin.

Coeur Brillant, 2022
HD video, colour, sound
14 mins
Photo: Le Massi
Courtesy the artist. Production: Maison Populaire, Malfamé Productions & Beursschouwburg France/Belgium

Unfinished Sentence II, 2021
30 metal spears, chains, colour filter, loud speakers. Soundtrack in collaboration with Ndayé Kouagou.
Variable Dimensions
Photo : Mark Blower
Courtesy the artist. Curated by Juliette Désorgues. Exhibition view, My Immortal, Mostyn Gallery, Llandudno, UK

My Immortal, 2021
UV impression on metal
Variable dimensions
Photo: Mark Blower
Courtesy the artist. Curated by Juliette Désorgues. Exhibition view, My Immortal, Mostyn Gallery, Llandudno UK.

Unfinished Sentence II and Gay Angel (I and II), 2021
metal, chains, colour filter, loud speakers. Soundtrack in collaboration with Ndayé Kouagou.
Photo : Mark Blower
Courtesy the artist. Curated by Juliette Désorgues,Exhibition view, My Immortal, Mostyn Gallery, Llandudno UK.

Revancharde, 2022
Cut and polished steel, cut glass
116 x 32 x 1 cm
Courtesy the artist and Vitrine Gallery London and Basel.

Distorted conception of few revenges, 2022
Cut and polished steel, blown glass
204 x 74 x 8 cm
Courtesy the artist and Vitrine Gallery, London and Basel

Cerbère, cerbère !, 2022
Acier coupé et poli, verre
135 x 128 x 8 cm
Courtesy the artist and Vitrine Gallery London and Basel. Collection of Mauro Mattei Art Trust, UK and Italy.

GODDAM, 2022
Moulded glass
30 x 20 x 11 cm
Photo: Margot Montigny
Courtesy the artist and Vitrine Gallery, London and Basel

GODDAM 2, 2022
Moulded glass
40 x 30 x 8 cm
Photo: Margot Montigny
Courtesy the artist and Vitrine Gallery, London and Basel

DEVILISH BOY, 2022
Blown glass
80 x 22 x 22 cm
Photo: Margot Montigny
Courtesy the artist and Vitrine Gallery, London

This Doesn't Belong to Me, 2020
Polyurethane, metal core, epoxy resin, chains, black earth
Variable dimensions
Photo: Aurélien Mole. Exhibtion view, Frac Lorraine, Metz, France.
Courtesy the artist. Fondazione Sandretto Collection. Produced: Fondazione Sandretto with the support of Nuovi Mescenati.

This Doesn't Belong to Me, 2020
Polyurethane, metal core, epoxy resin, chains, black earth
Variable dimensions
Photo: Domenico Conte. Exhibition view, Palazzo Re Raudebengo, Guarene, Italy
Courtesy the artist. Curated by Bernardo Follini. Fondazione Sandretto Collection. Production: Fondazione Sandretto with support of Nuovi Mescenati.

This Doesn't Belong to Me, 2020
Polyurethane, metal core, epoxy resin, chains, black earth
Variable dimensions
Photo: Domenico Conte. Exhibition view Palazzo Re Raudebengo, Guarene, Italy
Courtesy the artist. Curated by Bernardo Follini. Fondazione Sandretto Collection. Production: Fondazione Sandretto with support of Nuovi Mescenati.

Different Alibis, 2019
Performance, with Harilay Rabenjamina, Christelle Oyiri and Ndayé Kouagou
Photo: Katarzyna Perlak. Exhibition view, Auto Italia South East, London, UK.
Courtesy the artist.

Diffrent Alibis, 2019
Performance, with Harilay Rabenjamina, Christelle Oyiri and Ndayé Kouagou
Photo: Katarzyna Perlak. Exhibition view, Auto Italia South East, London, UK.
Courtesy the artist.

Diffrent Alibis, 2019
Performance with Harilay Rabenjamina, Christelle Oyiri and Ndayé Kouagou
Photo: Katarzyna Perlak. Exhibition view, Auto Italia South East, London, UK.
Courtesy the artist

LE SANG ! / BLOOD !, 2022
Book of poetry in French and English. Risograph printing. Published by Lafayette Anticipations
82 pages. 26 x 11.5 cm

A horn is a thorn is a horn, 2021
Plexiglas, resin, paint, chains, polycarbonate plates, screen
Variable dimensions
Photo: Flavio Pascatori. Exhibition view VEDA, Firenze, Italy. Curated by Cédric Fauq.
Courtesy the artist. Production: Horst Arts & Music.

Perfume of a Traitors (detail), 2021
Steel and steel chains, green filter
Variable dimensions
Photo: Jonathan Bassett
Courtesy the artist and Vitrine Gallery, London and Basel.

SPIRALING, 2021
Single channel video, colour, sound, 16:9
7 mins
Courtesy the artist and Galerie Allen, Paris. Collection Defares, Netherlands. Production: Haus der Kunst, Munich, Germany.

A Frame for The Art of Losing (extract), 2021
HD video, metal frame with unfinished spears, CGI: Sybil Montet; Music composer: Victor da Silva
1 min 20 secs
Photo: Aurélien Mole
Courtesy the artist.

Perfume of Traitors II, 2022
Steel and steel chains, green filter
Variable dimensions
Photo: Stephen James. Exhibition view, Emalin Gallery, London, UK. Curated by Gabriella Nugent.
Courtesy the artist and Vitrine Gallery London/Basel

Perfume of Traitors II, 2022
Stainless steel
Variable dimensions
Photo: Stephen James.
Courtesy the artist. Collection Fiorucci Art Trust.

Perfume of Traitors II, 2022
Stainless steel
Variable dimensions
Photo: Stephen James.
Courtesy the artist. Collection Nicoletta Fiorucci Foundation.

BETRAYING HIM, 2022
Stainless steel
31 x 4.5 x 0.5 cm
Courtesy the artist and Vitrine Gallery, London / Basel

Revenge Fantasy, 2022
Eight weapons, glass and metal
Variable dimensions
Photo: Isabelle Arthuis
Exhibition view, Tactics of Augmented Dreams, La Verrière, Brussels, 2022. Courtesy the artist. Production: La Verrière, Fondation d'entreprise Hermès

Out of the Blue, 2019
Video, colour, sound
13 mins
Photo: Aurélien Mole
Courtesy the artist. Production: La Galerie CAC with the support of Département de la Seine-Saint-Denis. Collection of Frac Aquitaine

Sick Sad World, 2021
Wood, styrofoam, fabric, metal, polyether foam, polyurethane, pigments, acrylic plaster, performance.
90 × 250 × 250 cm
Photo: Rembert de Prez. Exhibition view Risquons-tout, Wiels, Brussels, Belgium.
Courtesy the artist and Théo Démans. Production Wiels, Brussels, Belgium

Sick Sad World, 2021
Performance
Photo: Rembert de Prez. Exhibition view Risquons-tout, Wiels, Brussels, Belgium.
Courtesy the artist and Théo Démans. Production Wiels, Brussels, Belgium