Laëtitia Badaut Haussmann
Scenius II S n°2 (Blanc Papyrus), 2018
Métal, peinture, pmma, LED
60 x 45 x 5 cm
Production Fabre
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Lucy Jordan, Galerie Allen, Paris, FR, 2020
Stage Circle Marble, 2020
Bois, peinture, metal, tapis
Sculpture: 50 x 136 x 80 cm Tapis: dimensions variables
Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Lucy Jordan, Galerie Allen, Paris, FR, 2020
Maquette (Safe), 2020
Polystyrène, tadelakt, aluminium, inox
80 x 80 x 40 cm
Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Lucy Jordan, Galerie Allen, Paris, FR, 2020
Magnetic scan 1, 2020
Tirage pigmentaire, cadre
45 x 24,5 cm
Encadrement : 58 x 43 cm
Photo: Aurélien Mole
Courtesy of the artist and Galerie Allen, Paris
Exhibition view, Lucy Jordan, Galerie Allen, Paris, FR, 2020
2MOON, 2020
Panneaux de médium, cuir, laiton, peinture, plexiglas, tadelakt, papier
120 x 200 x 1,6 cm
Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Lucy Jordan, Galerie Allen, Paris, FR, 2020
Ticket Booth, 2020
Bois, marbre, peinture, tissu
Dimensions variables
Photo: Stephen Takacs
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Water, Instance No. 1. Cur. Jo-ey Tang, Beeler Gallery, Columbus, Ohio, USA, 2020
Häggeby White, 2020
Bois aggloméré, métal
Dimensions variables
Photo: Stephen Takacs
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Water, Instance No. 1, Cur. Jo-ey Tang, Beeler Gallery, Columbus, Ohio, USA, 2020
Les seins de Charlotte, 2020
Sable
Dimensions variables
Photo: Stephen Takacs
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Water, Instance No. 1. Cur. Jo-ey Tang, Beeler Gallery, Columbus, Ohio, USA, 2020
Les seins de Charlotte, 2020
Sable
Dimensions variables
Photo: Stephen Takacs
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Water, Instance No. 1. Cur. Jo-ey Tang, Beeler Gallery, Columbus, Ohio, USA, 2020
Tabouret populaire, 2016
Bambou
Photo: Stephen Takacs
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Water, Instance No. 1. Cur. Jo-ey Tang, Beeler Gallery, Columbus, Ohio, USA, 2020
WATER - PRELUDE, 2020
Performance
Photo: JiaHao Peng
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Water, Instance No. 8. Cur. Jo-ey Tang, Beeler Gallery, Columbus, Ohio, USA, 2020
EXPOSURE, Instance n°2, 2020
Performance at Glenbrow/Gunning house
Photo: Zane A. Miller
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Water, Instance No. 2. Cur. Jo-ey Tang, Beeler Gallery, Columbus, Ohio, USA, 2020
Coeur, 2019
Bois de châtaignier
123 x 80 x 60 cm
Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Le sentiment, la pensée, l'intuition, Cur. Sebastian Faucon, Musée d'art contemporain de la Haute-Vienne, château de Rochechouart, FR
Sans titre, 2019
Lit, sommier, skaï, plastique, coupures de journaux
Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Le sentiment, la pensée, l'intuition. Cur. Sebastian Faucon, Musée d'art contemporain de la Haute-Vienne, château de Rochechouart, FR
Les cosmétiques blanches, 2019
Enveloppes synthétiques, coupures de magazines, pinceaux à maquillage
Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Le sentiment, la pensée, l'intuition, Cur. Sebastian Faucon, Musée d'art contemporain de la Haute-Vienne, château de Rochechouart, FR
Liquides incolores (Verres, acétone, acide chlorhydrique, alcool à brûler, ammoniaque,brandy blanc, eau, eau de vie, gin, javel, lessive de soude, mar, 2019
Verres et eau
Dimensions variables
Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Le sentiment, la pensée, l'intuition. Cur. Sebastian Faucon, Musée d'art contemporain de la Haute-Vienne, château de Rochechouart, FR
Le Salon de Francis, 2019
Installation, deux miroirs ronds, bois de châtaignier, impression jet d'encre sur fond bleu
Dimensions variables
Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Le sentiment, la pensée, l'intuition, Cur. Sebastian Faucon, Musée d'art contemporain de la Haute-Vienne, château de Rochechouart, FR
Exhibition view, Le sentiment, la pensée, l'intuition, 2019
Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Cur. Sebastian Faucon, Musée d'art contemporain de la Haute-Vienne, château de Rochechouart, Rochechouart, FR, 2019
Le silence, 2019
Vidéo, velours, polystyrène
Dimensions variables / video : 9 mins 34 secs
Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Le sentiment, la pensée, l'intuition, Cur. Sebastian Faucon, Musée d'art contemporain de la Haute-Vienne, château de Rochechouart, FR
howwelldoyoubehave?intheflatfield_silkposter, 2017
Impression sur soie
140 x 170 cm
Courtesy the artist and Galerie Allen, Paris
Exhibition view, How well do you behave? IN THE FLAT FIELD, Beeler Gallery, Columbus College of Art, USA
L'amour est plus froid que la mort n°7, 2018
Skaï, metal plastifié, billes de polystyrène
Dimensions variables
Organised by Jo-ey Tang, Beeler Gallery, Columbus, Ohio, USA. Courtesy the artist and Galerie Allen, Paris
Exhibition view, How well do you behave? IN THE FLAT FIELD
Scenius II S, n°2, 2018
Métal, peinture, pmma, led
60 x 45 x 5 cm
Photo : Guillaume Onimus
Courtesy the artist and Galerie Allen, Paris
Exhibition view, SAS Villa Psy 2, FABRE, Cur. Alexandra Fau, Paris, FR, 2018
Il Boom, 2018
Chêne
39 x 90 x 45 cm
Photo: Guillaume Onimus
Courtesy the artist and Galerie Allen, Paris
Production Fabre, Exhibition view, SAS Villa Psy 2, Cur. Alexandra Fau, Fabre, Paris, FR, 2018
Light my Lucky seconde, 2018
Performance
Credits: Hervé Veronese
Courtesy the artist and Galerie Allen, Paris
Light my Lucky seconde, 2018
Performance
Credits: Hervé Veronese
Courtesy the artist and Galerie Allen, Paris
Cur. Caroline Ferreira, Centre Pompidou, Paris, FR, 2018
Gogolplex, 2017
Résine, peinture acrylique
60 cm de diamètre
Photo : Martin Argyroglo
Courtesy the artist and Galerie Allen, Paris
Exhibition view, La Politesse de Wassermann, Maison Louis Carré
Capitalisme chaud, 2017
Peinture
Dimensions variables
Photo : Martin Argyroglo
Courtesy of the artist and Galerie Allen, Paris
Exhibition view, La Politesse de Wassermann, Maison Louis Carré
X (2), 2017
Tirage pigmentaire sur papier (Aqua paper recycled polyester 210g)
Image : Dimensions variable
Photo : Martin Argyroglo
Courtesy the artist and Galerie Allen, Paris
Exhibition view : "La Politesse de Wassermann", Maison Louis Carré
Dernier été, 2017
21 x ballons gonflables en plastique
51 cm diametre chacun
Photo : Martin Argyroglo
Courtesy the artist and Galerie Allen, Paris
Exhibition view, La Politesse de Wassermann, Maison Louis Carré
Performance in collaboration with The Community and Aalto International, 2017
Photo: Martin Argyroglo
Exhibition view, La Politesse de Wassermann, Maison Louis Carré, Bazoches-sur-Guyone, France
Exhibition view, Impossible Body, 2017
Galerie Allen, Paris, FR, 2017
Courtesy the artist and Galerie Allen, Paris
Co-produit par Lab'bel, Jardins et Collections et Galerie Allen
The Him II, 2017
Plantes vertes, sable, maquillage, parfumet 4 pots par Aino Aalto
dimensions variables
Courtesy the artist and Galerie Allen, Paris
Co-produit par Lab'bel, Jardins et Collections et Galerie Allen
Repeat, 2017
5 tirages couleur sur papier satiné 180 gr
Image : 50 x 70 cm chacun
Photo : Aurélien Mole / Exhibition view, Impossible Body, Galerie Allen, Paris 2017
Courtesy the artist and Galerie Allen, Paris
Co-produit par Lab'bel et Galerie Allen
L'Amour est plus froid que la mort n° 4, 2017
Structures inox chromé, skaï, polystyrene
66 x 380 x 210 cm
Photo : Aurélien Mole / Exhibition view : "Impossible Body", Galerie Allen, Paris
Courtesy the artist and Galerie Allen, Paris
Co-produced by FUTURA
DB 16, 2016
Bois, colle, carrelage, joint
400 x 105 x 270 cm
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Anthea Hamilton Reimagines Kettle's Yard, Hepworth Wakefield, Wakefield, UK
Whatkindofbirdisthis_1, 2016
Impression jet d'encre sur soie
140 x 170 cm
Courtesy the artist and Galerie Allen, Paris
Exhibition view, What Kind of Bird is This?, Levy.Delval Gallery, Brussels, BE, 2016
Aussi loin que mes yeux, 2016
Fenêtres ouvertes, vue, air, son, lumière
Courtesy the artist and Galerie Allen, Paris
Exhibition view, What Kind of Bird is This?
l'Amour est plus froid que la mort #2, 2015
Acier et aluminium, velours, mousse
172 x 285 x 143 cm
Photo : Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Exhibition view, FIAC 2015, Galerie Allen, Secteur Lafayette, Grand Palais, Paris, FR, 2015
Exhibition view, FIAC 2015, Galerie Allen, Secteur Lafayette, Grand Palais, Paris, FR, 2015
Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Light my Lucky, 2015
Performance
Courtesy the artist and Galerie Allen, Paris
Fiac 2015, Grand Palais, Paris, FR, 2015
Daybed n°2_Spring. Death, 2015
Bois MDF, colle, carrelage, enduit
278 x 100 x 23 cm
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Galerie Untilthen, Mon Horizontalité, Curated by Julie Boukobza
Daybed n°3_Bordeaux, brown, 2015
Bois MDF, colle, carrelage, enduit, plante
245cm x 100cm x 37cm
Courtesy the artist and Galerie Allen, Paris
Exhibition view, Galerie Until Then, Mon Horizontalité, curated By Julie Boukobza
Dear Charlotte and Maurice, 2012
Banc Tokyo par Charlotte Perriand, enveloppe et lettrage vinyle
Production Palais de Tokyo
Courtesy the artist and Galerie Allen, Paris
